在夢與現(xiàn)實(shí)之間徜徉—大衛(wèi)林奇影像世界的主題研究

1、南京師范大學(xué)碩士學(xué)位論文在夢與現(xiàn)實(shí)之間徜徉—大衛(wèi)·林奇影像世界的主題研究姓名：袁洲申請學(xué)位級別：碩士專業(yè)：藝術(shù)學(xué)；電影學(xué)指導(dǎo)教師：彭耀春2009-04-25Abstract IIAbstract As one of the leaders in the field of independent film of America, David lynch's pictures used to

2、 be known with their pretty fanciful vision style, and their obscure story. Critics usually used the word “Lynchican“to define this apparently unique style of David Lynch's movies. However, if the wor

3、d “Lynchican“ could be labeled David Lynch as a film auteur, then it should not just stay in the surface of the picture, but should point to the movie theme. It is precisely because of the over-attention of this parti

4、cular vision style, over-focused the polysemy which be generated by this obscure image style, makes the research of David Lynch’s picture either stop at the analyzing of a single text, or dev

5、iated from the movies themselves：the pictures become to the subject which be analyzed by other academic theory to verify their arguments. Now we use the simplest misconstructions’ way of thinking, to construct all the Da

6、vid Lynch pictures as a unity, then we will find that almost all of David Lynch movies talked about a relationship that between dreams and reality, and emphasized the importance of human emo

7、tion between this relationship. In other words, the theme of David Lynch film is composed by three parts: dreams, reality, and human emotion. The order of real world has been ruined by David Lunch’s destru

8、ctive Film Aesthetics, then in the dream space which is created by David Lynch, we need to look for the motive of this disorder of the real world, we could collage those fragment of reality complete, to find out the

9、 truth of the disorder. And finally only through the human emotional salvation that we can out of predicament of the disorder of the real world, and return to the peaceful life. Keywords： Keywords：David Lynch，Imag