神與物游，思與境偕——中國山水畫中的“移動(dòng)視點(diǎn)”及其現(xiàn)代意義.pdf

1、上海大學(xué)碩士學(xué)位論文神與物游，思與境偕——中國山水畫中的“移動(dòng)視點(diǎn)”及其現(xiàn)代意義姓名：范奕彬申請學(xué)位級別：碩士專業(yè)：美術(shù)學(xué)（水墨畫研究）指導(dǎo)教師：樂震文20060401上海大學(xué)碩士學(xué)位論文ABSTRACTRamblingSpiritWithinSceneryThe“dynamicviewpoint’ofchinesetraditionallandscapepaintinganditscontemporarymeaningWiththem

2、ethodofnumberoftherepresentationofspacewhichhasappearedwithinthechineseandwesthistorybasedon‘threeperspectivemethod’and‘observationwiththebroadviewpoint’，thetwoobservationalwaysofchinesetraditionalhndscapepainting，thisth

3、esishassyntheticallycomparativelyresearchthepatternof‘dynamicviewpoint’，thewayoftheobservationandtherepresentationusedinchineselandscapepaintingdissecteddynamicviewpoint’，theculturalintensionandtheaestheticsignificanceof

4、thewayofthetraditionalobservation，aswellastheapplicationtothetraditionalpaintingoffigureInconclusion1trytodiscussthepossibilitytomthe‘dynamicviewpoint’OlithecontemporarypaintingoffigureKeywords：dynamicviewpoint，threepers