論鋼琴伴奏在聲樂(lè)表演中的作用——以舒曼的聲樂(lè)套曲《詩(shī)人之戀》為例.pdf

1、西安音樂(lè)學(xué)院碩士學(xué)位論文論鋼琴伴奏在聲樂(lè)表演中的作用——以舒曼的聲樂(lè)套曲《詩(shī)人之戀》為例姓名：趙壘申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：鋼琴演奏指導(dǎo)教師：任抒真20100501西安音樂(lè)學(xué)院碩士論文 Abstract IIAbstract Piano accompaniment (Art direction) is an independent sub

2、ject, which can be used widely in all kinds of instrumental music and vocal music performances. As accompaniment, it is important to corporate well with the singer (instrument player) in different aspects, such as sight-

3、reading ability, role-playing ability, musical rhythm control, balance of the vocal parts as well as listening to sing in the performance respectfully, in order to maintain the integrity of the corporation. “Dichterliebe

4、” is one of Schumann’s representative works. For instance, the lyric is carefully written and the words and music always fit together perfectly while the piano accompaniment has an outstanding position and a wide range o

5、f artistic expression of the rich. The thesis discusses that how the piano accompaniment corporate well with the singer in order to reflect the environment of the work, the character and psychological feeling using the w

6、ork of art mentioned above. Furthermore, the thesis discusses the issue of art direction relating to piano accompaniment in the teaching process in depth. Key Words piano accompaniment Schumann Dichterliebe Cooperat