日本動(dòng)漫語(yǔ)言研究.pdf

1、湖南大學(xué)碩士學(xué)位論文日本動(dòng)漫語(yǔ)言研究姓名：姚婷申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：設(shè)計(jì)藝術(shù)學(xué)指導(dǎo)教師：趙鋼20070515日本動(dòng)漫語(yǔ)言研究 Abstract Every art has its language, the language building bridge which links them with people. The animation language has its own characteristics, its esse

2、nce is one kind of drawing language, this kind of drawing language is passing through its content and the form, and its artistic expression is very important, grasps the language can rein spirit primary intention as one&

3、#39;s wish. using the movie technique ,The animation exhibit a richer detail and the change of the space and time. The modern animation transformation stems from the Japanese animation. Along with the time development,

4、the world culture exchange is more frequently day by day , between each kind of art mutually melts is an irresistible tendency .Took with was the Eastern civilization China and Japan, the Japanese culture once deeply inf

5、luenced by China's, and had many common place in religion、philosophy and art, therefore the choice of studying the drawing language of Japanese animation have a more actual significance to the Chinese animation devel

6、opment. Because the drawing language not only contains the skill, the form; it also containing the more spiritual idea ,only we can thoroughly understand its essence through the research of its intension, so this article

7、 discusses the Japanese animation from two aspects the characteristic: the artistic idea and the language form .Through understanding culture connotation and the national aesthetic standard to understand the content the

8、orientation, through the language form of the pure drawing language and animation languages’ continuity to understand the meaning of the form constitution Key words: animation; drawing; language; conception; form; decon